Welcome to Writerhead Wednesday, a weekly feature in which a brilliant, charming, remarkable author answers three questions about her/his writerhead…a precious opportunity for looky-loos around the world to sneak into the creative noggins of talented writers and (ever so gently) muck about.
Please put your hands together for the marvelous Erika Dreifus whose short story collection Quiet Americans: Stories was released by Last Light Studio Books in January 2011. (The Kindle edition is now available as well.).
(pause for applause)
I’m not sure exactly when I first became “virtually” acquainted with Erika, but I know it was years ago while I was still living in Shanghai. Just last month, I was lucky enough to meet her in person at Grub Street’s MUSE 2011 writers’ conference in Boston. Erika is one of those writers who gives a lot back to the writing community (visit her web site and you’ll see), so I’m very happy to have the opportunity to highlight her work and her writerhead.
About Quiet Americans (from Erika’s website):
“A high-ranking Nazi’s wife and a Jewish doctor in prewar Berlin. A Jewish immigrant soldier and the German POWs he is assigned to supervise. A refugee returning to Europe for the first time just as terrorists massacre Israeli athletes at the 1972 Munich Olympics. A son of survivors and the family secrets modern technology may reveal. These are some of the characters and conflicts that emerge in Quiet Americans, in stories that reframe familiar questions about what is right and wrong, remembered and repressed, resolved and unending.”
Praise for Quiet Americans:
“Dreifus’s clear, direct style and her subject matter bring to mind the stories of Jhumpa Lahiri….Dreifus does an excellent job of taking the much-written-about subject of the Holocaust and presenting stories that add new complexities to the topic,” writes Rebecca Henderson for Englewood Review of Books (May 2011).
“The Quiet Beauty of Quiet Americans,” Creating Van Gogh: “Anyone with an interest in the Holocaust and how it led immigrants to this country needs to read this book. Anyone who simply wants to enjoy engaging, relevant, and thoughtful fiction by a subtle practitioner of the craft needs to read it even more.”
“Facing the Terror Inside Us,” The Jewish Journal: “So Dreifus does not confine herself to the kind of character studies and slice-of-life sketches that are the stock-in-trade of so many short-story writers. Rather, she cares deeply about history—her own family history and the larger history that we all inhabit—and that’s what makes her stories both engaging and consequential.”
First Line of the Short Story “For Services Rendered”
“His father and grandfather and great-grandfather had all practiced medicine in Berlin.”
Now…for Erika’s writerhead:
1. Describe your state of writerhead (the where, the when, the how, the what, the internal, the external).
In a way, this question makes me a bit sad, because it reminds me how much time has elapsed since I could rely on relatively frequent immersion in writerhead. One of the biggest challenges I have faced since shifting from teaching and freelancing to working in a full-time, M-F, 9-5 job is recreating and recapturing writerhead on anything near the basis I enjoyed—but did not fully appreciate—when my schedule was more flexible. These days, I seem to approach writerhead most closely on weekends, sometimes motivated by the perfect prompt, sometimes energized by an idea that occurs to me while on a walk or jog. Unfortunately, writerhead is much more elusive in the early morning before leaving for the office or in the evening after a long day there.
2. What happens if someone/something interrupts writerhead? (a spouse, a lover, a barking dog, an electrical outage, a baby’s cry, a phone call, a leg cramp, a dried-up pen, a computer crash, etc.)
Honestly, interruptions are not what I worry about these days. As I’ve suggested, it’s getting into that state of writerhead in the first place that’s my biggest challenge.
3. Using a simile or metaphor, compare your writerhead to something.
Writerhead is a beautiful buzz, a substance-free elixir that makes me energetic, productive, and happy.
Based in New York, Erika Dreifus is the author of Quiet Americans: Stories (Last Light Studio, 2011). She writes prose and poetry and serves as contributing editor for The Writer magazine and Fiction Writers Review. Erika also edits and publishes The Practicing Writer, a free (and popular) monthly e-newsletter for poets, fictionists, and writers of creative nonfiction.
Q4U: Writers…anyone else struggling to find time to even get into writerhead? Share, share.